This beautiful hand made intarsia piece features a beautiful blue marlin featuring exotic woods from South America. Made by Jean K. This piece is one of a kind and is a perfect addition to any fisherman’s or fisherwoman’s mantle More on Intarsia: The technique of intarsia inlays sections of wood (at times with contrasting ivory [...]
This beautiful hand made intarsia piece features a beautiful blue marlin featuring exotic woods from South America.
Made by Jean K. This piece is one of a kind and is a perfect addition to any fisherman’s or fisherwoman’s mantle
More on Intarsia:
The technique of intarsia inlays sections of wood (at times with contrasting ivory or bone, or mother-of-pearl) within the solid stone matrix of floors and walls or of table tops and other furniture; by contrast marquetry assembles a pattern out of veneers glued upon the carcase. It is thought that the word ‘intarsia’ is derived from the Latin word ‘interserere’ which means “to insert”.
When Egypt came under Arab rule in the seventh century, indigenous arts of intarsia and wood inlay, which lent themselves to non-representational decors and tiling patterns, spread throughout the maghreb. The technique of intarsia was already perfected in Islamic North Africa before it was introduced into Christian Europe through Sicily and Andalusia. The art was further developed in Siena and by Sienese masters at the cathedral of Orvieto, where figurative intartsia made their first appearance, ca 1330 and continuing into the 15th century and in northern Italy in the fifteenth and sixteenth centuries, spreading to German centers and introduced into London by Flemish craftsmen in the later sixteenth century. After about 1620, marquetry tended to supplant intarsia in urbane cabinet work.
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